November 11-17 marks University Press Week 2012! All week long, presses around the Web will be hosting special posts as part of a UP Week Blog Tour. The Digital Digest will be following the tour with a daily round up.

MONDAY | TUESDAY | WEDNESDAY | THURSDAY | FRIDAY

New York University Press: “Celebrating the regional pride of University Presses”
Author and New York Times editor Connie Rosenblum talks about writing and publishing local with a university press to reach a broad audience: her own book on the Bronx, essays on the city, and neighborhood real estate profiles have all been published with NYU Press.

Columbia University Press: “Sheldon Pollock on the Importance of University Presses and the Role of Universities” and “Jennifer Crewe on University Presses: Who Are We? What Do We Do? And Why Is It Important?”
Sheldon Pollock, professor of South Asian Studies at Columbia, underlines how publishing is critical to the university’s purpose as a transmitter of knowledge, and how the collaborative “South Asia Across the Disciplines” series serves as a model for the university-press relationship. In a separate post Editorial and Associate Director Jennifer Crewe discusses how university presses fill the economic gaps in publishing: publishing first-time authors, serious nonfiction, books for upper-level courses—even establishing new fields of scholarship.

University of North Carolina Press: “John Sherer on returning to university press after years in NY trade publishing”
Press Director John Sherer explains the logic behind his return to UNC Press after two years in trade: while “the metrics of advances and print runs” aren’t the same, there’s still just as much, if not more, room for risks and rewards and editorial freedoms at the smaller scale.

University of Alabama Press: “Why University Presses Matter”
Author Lila Quintero Weaver voices her gratitude toward UA Press for their focus on a variety of content, from memoirs like hers to vital scholarly writing. And Jennifer Horne, former UA Press Managing Editor and the co-editor of two books on Southern culture, praises the experience, quality, and continuity of the university press publishing process to create “that wonderful package we call a book.”

University of Virginia Press: “Open for Business”
Author Catherine Allgor tells the story of her three volumes of early America scholarship: the first, published with UVA Press; the second, by a major publishing house; and the latest—back again with UVA, where “the integrity of the ideas and the commitment to making the best book we could drove every decision.”

Oregon State University Press: “University Presses: Through the Eyes of an Intern”
OSU Press intern Jessica Kibler explains how mixing words with music inspired her excitement over the digital experimentation taking place at university presses like OSU, and her relief as a lover of well-made books that digital and physical publishing “don’t have to cancel each other out,” but can build on each other in myriad ways.